LogoLogoLogoLogoLogo
  • Home
  • About
    • Insta
  • New Paintings
  • Selected Works
  • Exhibitions
  • Video
  • News
  • Contact
  • YouTube
  • Home
  • About
    • Insta
  • New Paintings
  • Selected Works
  • Exhibitions
  • Video
  • News
  • Contact
  • YouTube

Migration and Modernism – National Gallery of Australia – 23 May 2026 -7 March 2027

Segria Neagra I-IV...

Aida Tomescu - Katrina Strickland Article

Aida Tomescu Interview – By Katrina Strickland – Sydney Morning Herald/The Age – 7 November 2025

"Almost everything about Tomescu’s practice defies easy assumptions. Her works might suggest velocity but she builds them up painstakingly over many years via a process that involves painting, scraping off, painting some more. She works on a few at once and constantly looks for links...

‘The ear in the river and the prayer in the stone’ on Instagram

  Ver esta publicación en Instagram   Una publicación compartida de Andrew Jensen (@foxjensengallery) ...

Aida Tomescu, A long line of sand III,

NGA acquires Aida Tomescu’s ‘A long line of sand III’ 2021

NEW ON YOUTUBE! Aida Tomescu talks with Maria Stoljar (uncut)

NOTE: Subtitles, if turned on, do not translate correctly. Please do not use....

Installation view, Aida Tomescu, Unfolding Presence

Aida Tomescu in the latest issue of Art Almanac

Art Almanac, December 2021| January 2022 Aida Tomescu, Unfolding Presence, by Victoria Hynes   Click here to read the article...

Aida featured in latest episode of Talking with Painters podcast

featured in Tatler’s 10 Must-See Art Exhibitions In Hong Kong This Month

Aida Tomescu's Into a Carpet Made of Water featured in Tatler's 10 Must-See Art Exhibitions In Hong Kong This Month September 2, 2021 Click here. (This link opens in a new tab). to read the full feature. ...

Aida Tomescu, Ithaca III detail, 1999

NGA post Instagram of Aida’s Tomescu’s work in Part Two of Know My Name: Australian Women Artists 1900 to Now

‘There is a point when the surface I’ve been working with becomes very responsive, opening up, surprising me with unexpected possibilities. Then I … start inhabiting the work. While my intention is clear, the resolution of the work is not yet guaranteed. It is at this...

Exhibition Review by Andrew Frost on The ReviewBoard

  • 1
  • 2
  • 3